Thursday, December 30, 2010

Community Service Completiong Sample Letter

(re) reading "For Massimo Troisi. Essays, memories, interpretations."

Today we talk about the latest book published on Massimo Troisi, a collection of essays edited by friends and Aulicino Salvatore Salvatore Iorio. We'll do it our way, without talking too much but frankly, my heart always turned to our passion, but with the most objective as possible, exposing our personal thought. Pointing things better, more valuable ones ... and a little less.

praiseworthy initiative this anthology "For Massimo Troisi. Essays, memories, interpretations, even more praiseworthy the type of road shows The two curators are carrying around that has been extended into real events dedicated to Massimo with several interesting speeches of people linked to him directly or indirectly.
The book opens with a preface by Enrico Giacomelli, which defines movies troisiani "slow, lame and a little film." Back on the controversy probably the fixity of the camera, return the mistake of not considering the fixed plane as the best technical solution for film comedy. Probably just "start again from three," and sometimes "Sorry I'm late," film are clearly contaminated with an array of theater and then "little film". Then Max finds the courage to experiment and seek their own directorial style, some with no results Fellini but not "limp". Also highly questionable statement that "the theater is by nature an unrealistic pace," and thus the film Troisi, we have instead is a pace much closer to real life, with pauses, silences all days, without the intervention of the assembly, the flux from an extension and setting material.

Delicious text (and music) the song "little 'hurt' or core, dedicated to Massimo Gianfranco Sansone, played live at the 2009 Premio Troisi. Poignant final verse "We bring all staje 'mmiez' 'and rrose / Puortece well to me "...

Patricia Smith spoke with an essay that skillfully captures the mechanism of the jokes comedians Troisi and inspiration of that immense Peppino De Filippo, never enough mentioned. Alberto Castellano offers the striking juxtaposition with Eduardo in "The Postman" by the melancholy face of comedy. very interesting analysis on the choice of dialect Troisi made by Nicola De Blasi, which explains why in his opinion best, it was understood throughout Italy. Mimica and context apart , "the uncertainty of speech leads to the other party to a cooperative attitude." I do not understand people who just would not understand it, in fact (the Gian Luigi Rondi shift ...).

Antonio Farese credit for successfully responding to a statement by the late Mario Monicelli, who called the Italian actor Massimo most overrated. Sure that he, the son of a famous journalist and leader of a career in film down even with undeniable talent, he had plenty of choice to respond with a Accorsi and Scamarcio or so.
Mario Franco tells us about the role and size of the island in "Il Postino", and then the silence and aphasia Massimo; Pasquale Iaccio its uniqueness and inclassificabilità, Tiziana Paladini his Pulcinella, taking a song from his previous "The heart and soul." Fascinating Carolina linguistic analysis of Stromboli, which locates in spontaneous speech (excluding "The Postman"), the peculiar figure of movie dialogue troisiani.

Let our words Lello Arena, which re-evaluates the director Troisi and undertakes to miss atrocious Massimo still irreplaceable and very current. Giulio Baffi would have loved to Viviani, with its innovative language and music, and he would like to return to the theater (if he could beat the laziness). Valuable testimony of the great Renato Barbieri, has left us puzzled for a moment that instead of Alfredo Cozzolino. To read his words would have almost no reason to regret Maximum: console ourselves thinking rather to the fact that the jokes and find the most exhilarating of his films were born from situations which he lived, that in "Groundhog Day three is" merged his life more than that of Massimo, who without him, "The Postman "was never filmed.
For Roberto De Simone Troisi was born to write and always, with his provocative and personal language he knew what had happened to kidnap telling most banal of everyday life. Andrea Esposito relates introspection and existential precariousness of Max to his illness already present in childhood; Nico Mucci tells us about his professionalism, his painstaking work, his half-hour facial gymnastics before going on stage.

the book concludes with essays on each film. Technically precise and detailed to Valentina Abussi on "Groundhog Day Three," which reveals the array of films in theatrical scenery and lighting nelel. Salvatore Ferraro asked if "Dead Troisi, viva Troisi! it's just a joke or a sad prediction ... hard to say, the truth is probably in the middle, living with the disease but Massimo leading a normal life in the 80s (an age of constant activity with the national football players, which he founded ). Antonio Varriale "Sorry I'm late" to meet effectively the sentimental comedy, Massimiliano Gaudiosi notes that "we can do is cry" is just Massimo funny monologues to carve out (but in the deleted scenes of the movie there were also different with Benigni's character). Salvatore Iorio edited the section on "The ways of the Lord is finished" film for him, not entirely successful. Small inaccuracy: the protagonist Camillo never told that he was sick after the heroic rescue of an elderly man during a fire, but says this about his friend Orlando. The same Iorio believes the scene of the attack by the fascists to the two technical limitations, ineffective and unbalanced. Personally, the same sequence impressed me since the first release, provoking strong emotions in me and making good the tragedy of what happened, with a hand-held camera frenzy and a tight fitting. Episode almost unique in the cinema trois, with regard to these dramatic. Manuela tapes look troisiani common traits of the characters in the movies with Scola and "Hotel Colonial", while Salvatore Aulicino analyzes "The Postman" not without a few other small inaccuracies (the author will forgive my pedantry by riveting) novel Skármeta has no title to the film of the same name ("Ardiente Paciencia" in Chile, "Neruda's Postman" in the Italian edition), Neruda is not about sunset when recommend Mario to walk on the beach to find inspiration for new metaphors, the same does not record the sounds of the island with his son since the latter born until after his death. Finally, images of the recording of these sounds is not about the alternating black and white / color, reserved solely to the representation of the death of Mario during a communist rally.

A book that deserves to be in the library of an avid Troisi, who has the undoubted merit of gathering opinions and viewpoints authoritative and sometimes sharp on the peculiar aspects of his films, which otherwise would live isolated and without a appropriate framework. Many pens are certainly of great competence in the field, what is lacking is the voice of true passion which still today many people, the emotional point of view of those who may not have studied film or did not know Max but it's a cult of his art and philosophy daily. Maybe for the next initiative (and how they are doing magnificently Aulicino and Iorio traveling presentation of the book), it would be an idea to give space to troisiani hardened, unscrupulous and sentimental, thus enriching the end result, in an attempt to offset criticism of , technique and heart.


Cristiano Esposito


The book, published by Laceno / Notebooks Cinemasud (Avellino), can be ordered in bookstores. Anyone interested in purchasing (176 pp., € 12) if you wish, you can still write directly to the editors (salaulicino@libero.it; siorio1@aliceposta.it). ISBN 978-88-6320-074-4
Available at:
- Kiosk / Library 'Bay of Comics' - Piazza E. De Nicola 3 - Torre Annunziata (Na)
- stationer 'The C'art' - Via Maresca 8 - Torre Annunziata (Na)
- Library 'wasters' - 8 Via San Pietro a Majella - Naples
- Library 'Neapolis' - 4 Via San Gregorio Armeno - Naples
- Library 'Vesuvio Books' - Via Cavalli di Bronzo 24 - San Giorgio a Cremano (Na)

and ordered from the bookstores.





Wednesday, December 29, 2010

How Tomake A Diaper Carriage

Massimo (Ranieri) pays homage to Massimo (Troisi)

"Now a song dedicated to a Neapolitan very special, one of those people I would say almost magical, that you just think for a minute during the day and make you feel good: Massimo Troisi "
(Massimo Ranieri before singing" When ", Stadio Olimpico in Rome, July 2, 2010)


few words, spoken in the frame of a concert phenomenal, dedicated to our another great "Maximum". It is for this reason that I often feel well, I think Max (Troisi) several times during the day. Every day.

Good order and good principle.

Cristiano


Friday, December 24, 2010

Wakera 3.7v 400mah Charger

"... Some things happen only at Christmas." (Jordan in "Splendor")

The editors of the blog "Friends of Massimo Troisi" wishes you a Merry Christmas full of happiness and peace in the heart.

Monday, December 20, 2010

Is Ice Spiker Better Than Got2b?

The bike (one of them) Il Postino Pantaleo exposed to the Tower of Greek

We do not know for sure if this is the bike that Max used for the filming (of course there is another closely guarded secret at Ostia), but the initiative is certainly laudable and worthy of reporting.
From December 9 to 22 will be received by the bike Massimo Troisi in "Il Postino" at the Institute Eugenio Torre of the Greek Pantaleo, where the actor of San Giorgio a Cremano he graduated in 1976 . After eight years of school Massimo Troisi graduated with a vote of 44/60. It was very lively and often do not follow the rules of conduct.
, the bicycle is on permanent display at the first floor of Villa Bruno at San Giorgio a Cremano, is now the entrance to the proposal of Pantaleo Headmaster Charles Ciavolino, an admirer of Massimo Troisi and accompanied by several giant posters selected by the fifth year student Maria Sequeira. Ciavolino thanked the mayor of San Giorgio a Cremano Domenico Giorgi, vice president of the Institution Hall Foundation Award Massimo Troisi "Peter Capacotta Raffaele De Martino, director of the Prize" Massimo Troisi ".
"With exposure to the public at the ITCG Pantaleo, bicycle film" Il Postino ", Massimo Troisi, and masterly interpretation of his artistic testament, the school, which saw him graduate student and surveyor, inaugurates a series Activity and events to commemorate the brilliant actor - proudly states the headteacher Ciaovolino Carlo - which was inserted in the empyrean of the greats of world cinema, from a garage where, with a group of young actors like him, has given rise the first performances. " "The Postman" was filmed in 1994 and Procida Lampedusa, Massimo Troisi for the last time he played next to Philippe Noiret and a promise of the young Italian cinema: Maria Grazia Cucinotta. He remembers with emotion the professor Carlo Ciavolino today Massimo Troisi was the same year that the Institute Pantaleo Fifty-seven, was born February 19, 1953. "With the Max-emphasizes his disarming humor Ciavolino - has always been himself, on stage as in life, even when the success has smiled. With his character Maximus does not interpret a person or a character, but a "condition", which is the suffering of the weak and whiny, social neglect and resignation. "
This first meeting with Massimo comes thirty years after his first film, which he also directed "Groundhog Day three, twenty-seven played by Troisi, Lello Arena with, Fiorenza Marche, Marco Messeri, Renato Scarpa, Laura Nucci. Awarded by the public that gives the record, held for decades, the longer this film in theaters film: six hundred days in a row. Gets the David di Donatello for Best Actor and Best Film, Silver Ribbon and the Golden Globe.
Initiatives Ciavolino recalls the Prize "Student Massimo Troisi," included in the "Meeting of the students" will be of a journey through the humor, sarcasm and irony of proposing Massimo recitatives and film with the exposure of other findings, with testimonies of fellow actors and actresses, people that were close in the short but intense journey of his life. There will be thematic studies, conferences, to better understand the art of a brilliant teacher and to better reflect the destiny of a people and a humanity in search of redemption. In mid-January is the planned press conference on this project.


Sunday, December 19, 2010

Open Wounds Cesarean Section

Massimo Troisi second Wertmuller, Pontecorvo, Vitti and Messeri

who rarely speaks to Maximus provides testimony trivial and obvious. The items cost in these videos for him by some experts to relive the even more strongly. For Wertmuller is a cross between Pierrot and Pulcinella, for Pontecorvo one of his greatest qualities is his aggressiveness rate close to zero, for Vitti seemed the only man alive who knew how to talk to others. To his friend Marco Messeri was an artist in disguise because it has the existential tragedy of irony. There stew ever hear of Massimo Troisi. And 'yet another way to hear it again with us.

Special thanks to our friends at schermaglie.it

Cristiano





Tuesday, December 14, 2010

Thick White Mucus After Ovulation

Fragment of the tombs dedicated to Massimo Troisi

But because of him ere time the deadly illusion that the envy

off while it dwells on the edge of Dis?
not live underground, and perhaps even when
will outline the harmony of the day,
if it can awaken the mind with gentle care
de 'her? Celeste is this
correspondence amorous feelings,
heavenly gift is in humans, and often for
she lives with his friend
extinct and extinct with us.
(Ugo Foscolo, the tombs)


In this modern age is considered old movie came out three months, your film continue to dazzle the audience, your interviews are easy, hilarious, unsettling. Who loves you still can find some comfort in your weak voice. For over fifteen years can no longer speak in the first person to sentry your new words is impossible, but r imane the desire not to lose the ones you have spoken.
We must remember, remember, remember, remember, remember ... Pia would say.
Or maybe not: remember, but sparingly, because even the most sublime idea, if you hear too often, it becomes silly .

Marta

Monday, December 13, 2010

How Tomake Sweet Popcorn In A Popcorn Machine

Love Massimo Troisi second ... and I think

What follows is a montage of my creation that dates back quite a few months ago. It was inspired by certain events and states of mind personal but I like everything that Max has left us, I have still something universal. I decided to share it with you once again thanking him for giving voice to my feelings and my feelings. At my being in the world, in short.
Because ... " was something that also happens to me ... but I did not know say.

Cristiano

I asked myself what is really love, if ever existed. I tried to answer some of the films with a special person for me. Love is true love when shared by two people, and never dies, because no matter how bad things you can do then you can look in and see him again. Or there's never been.
Why Amedeo is probably right in his theory preposterous. O love is forever, or was never love.


"The love I think is that feeling that exits indennedal time that passes, that can last, winning the tiredness, boredom, pain, pain in the ass. But you have to wait so long before you recognize it. It can be said only after the event if one really loved, because as one loves you not understand. "(Massimo Troisi)